|
Rather, guitars played by EC, Dave Mason, and Delaney Bramlett weave in and out much like Keith Richards/Brian Jones and Richards/Ronnie Wood. Although Eric Clapton is credited in the title, this is not a Clapton-centric album like the John Mayall album where he is billed similarly. He's the bandleader, and is clearly in control. Clapton, Mason, and Bramlett are all easy to hear, although it's often difficult to tell who is who.If you like energetic, vocal and horn-driven soul with just a touch of guitar flourishes, this album is a fine investment.
Although some say George purposely performed anonymously, there are videos from a TV broadcast of a different concert that show Bramlett clearly introducing him. Even so, if George is on the album, he's pretty much undetectable in the mix. Delaney Bramlett does not include George in the band introductions, though. Some sources claim he played on this date (the entire album comes from December 7, 1969, although other shows were recorded); others dispute this.
The band is some of the best of the Wrecking Crew/Plantation musicians from Los Angeles. This outfit probably thought it was the best band in the world, and played like it wanted to prove it.The presence of George Harrison on this record is uncertain. After the disastrous Blind Faith tour, Clapton was ready to disappear into a band, and the warmup act on that tour, Delaney and Bonnie and Friends, was it.The dominant presence here by far is Delaney Bramlett. Solos, when taken, are short and to the point.Delaney is a forceful if not particularly melodic singer, and Rita Coolidge's smoky voice does a lot to round out Bonnie Bramlett's voice, which can be thin at times.
There are no guitar pyrotechnics here. The music is a high-energy, feelgood blend of soul, blues, and rock. Bear in mind that all but Clapton, Bobby Whitlock, and D&B themselves did Joe Cocker's "Mad Dogs and Englishmen" tour just three months after making this record.This is terrific ensemble playing, really the only time Clapton has immersed himself in that (Cream really doesn't fit the description).
It is the tightest most rockin' powerlive concert EVER. The moment I saw this album after the concert I bought it and now have it on CD. If you have any memories of the 60-70s rock energyor want to hear what it was like.GET THIS. I saw this unbelievable group live at a Festival near New Orleans area in 1971. I was at the foot of the stage the whole time and was rockin' and floatin' at the same time.
GREAT SOULFUL LYRICS, GREAT ARRANGEMENTS MADE ON THE FLY, AND WONDERFUL ALBUM FROM BACK IN THE DAY. I HAD THIS ALBUM ON VINYL WAY BACK WHEN IT FIRST CAME OUT. THIS IS A GREAT ALBLUM BY DELANEY AND BONNIE, WITH AN ALL-STAR CAST BACKING THEM UP (INCLUDING DAVE MASON, JESSIE ED DAVIS, A FAT HORN SECTION, AND RITA COOLIDGE SINGING BACKUP), AND SOME BLISTERING GUITAR LICKS FROM OLD SLOW HAND, E.C.
The combination of Jim Gordon and Carl Radle is almost perfect, however tragic. This was one of my favorite albums when I was in college. A great live performance with amazing talent.
No rhythm section ever drove harder. picking you up and whisking you away.When "Things Get Better" starts, you'll say, "This is the hottest song I ever heard." Then it gets even better. By the time "Coming Home" has run over your brain, you'll just give in and hang on to the train barreling to rock 'n' roll nirvana. This is the BEST live album ever recorded - not just one of the 50 in your Top Ten, not one of the 300 in your Top 100, but the absolute #1 live album ever. I dare you to restrain yourself. No wonder Joe Cocker stole this band and Lowell George took the heart of their next band.However, when this album came out in 1970, Eric Clapton was the only name in the band most folks recognized. Delaney & Bonnie had a wonderful ability to gather talent around them. Eric is at his best here as "just one of the boys." Don't expect flashy solos, just 3 guitars (or is it 4 - George Harrison was on this tour too).
|
